Architecture Sonore
Mireille Capelle
Visual installation & light
Aïda Gabriëls, Milan Henderickx, Astrid Vansteenkiste, with Noir Métal (on loan from Koen Kessels)
Musical team
Interpretations by HERMESensemble: Gaetan La Mela, Geert Callaert, Mireille Capelle, Peter Merckx, Stijn Saveniers, Marc Tooten
Recording by Bart Célis
Editing and mix by Maarten Buyl
Partners
KMSKA
HERMESensemble
A holistic journey through seven sources of human energy
Scarabée d’Or uses sound as a lens, not a caption. The art is neither pinned down nor translated into music; the room is filtered. Seated and listening, you shift tempo: edges lengthen, surfaces linger, details accumulate. Nothing is added, yet the sound of what you see changes. Rooted in Mireille Capelle’s Architectures Sonores, the work moves in a continuous loop, drawing on instrumental colour and ambient resonance to render time tangible. The invitation is simple: sit, listen, look. Here, duration is the medium, not the measure. No crescendo, no finale. Only perception, sharpened by vibration. Sound as matter. Listening as an act.
The Doors
Do – Anchoring, instinct, smell, red. I live
Re – Action, doing, taste, orange. I move
Mi – Emotion, sensitivity, self, yellow. I feel
Fa – Heart, sharing, touch, green. I love
Sol – Hearing, speech, blue. I want
La – Intuition, vision, indigo. I see
Si – Crown, sky, diamond. I am
“Sound plays a transformative role and can be a powerful bridge between humans, nature and art.” — Mireille Capelle
